• SESAC, ASCAP, BMI - Performing Rights Organization Society - Explained - PRO - Music Publishing

    A PRO is "Not" a Music Publisher. Performing Rights Organizations explained. Performing Rights Organization Society - Explained - PRO - SESAC, ASCAP, BMI - PRS - Music Publishing I will be posting videos every week, so let me know what you want to learn and I'll do my best to accommodate. Continue to rock out!!! And love what you do. http://www.urbanguitarlegend.com http://www.facebook.com/urbanguitarlegend http://www.twitter.com/elliotholden http://instagram.com/therealelliotholden

    published: 10 Oct 2014
  • What Is A Performing Rights Organization?

    Welcome to another music quick tips video by http://emusicbranding.com A Performing Rights Organization, also known as a PRO, is an organization that collects performing rights royalties on behalf of its members, music publishers, and composers. Once all the royalties are collected the PRO then deducts its service fees and distributes the rest to its members. Here Are Some Reasons Why An Artist Should Join A PRO: • Because A Performing Rights Agency helps monitor your radio and show performances so you can get paid • The also help to introduce you to many professionals within the music industry such as music managers, A&R’s, Producers, Publishers & artists • And they help license your music to Tv, Film, Theater, and Game Companies So which PRO is the best? The truth is some Performing ...

    published: 22 Mar 2017
  • PERFORMING RIGHTS ORGANIZATIONS : A CONVERSATION WITH ASCAP, BMI & SESAC

    Henny’z Hangout Episode 015 Today we’re talking Perfroming Rights Organizations, Royalties, Publishing and making your music a “Business” !! Feeling super proud to have brought all three PRO’s together for a great conversation! We #doitfortheculture This Episode shares knowledge from: Jason Reddick - @jasonreddick_ ASCAP.com Mitch Martin - @missilemartian BMI.com/join Greg Smith - @four_gs SESAC.com FOLLOW THOSE FELLAS TO LEARN MORE!! FOLLOW ME ONLINE HERE: Website: http://hennythabizness.com Instagram: https://www.instagram.com/hennythabizness/ Facebook: https://www.facebook.com/hennythabizness Twitter: https://twitter.com/hennythabizness Snapchat: https://www.snapchat.com/add/hennythabiz Soundcloud: https://soundcloud.com/henny-tha-bizness Here is my current GEAR KIT: https://...

    published: 16 Jun 2017
  • Learning Licensing Fees, Performance Rights, and ASCAP with Sean O'Malley

    aPpKVg -~-~~-~~~-~~-~- Talking song business, there is a lot of legal jargon to sift through when understanding how to get paid for your music. You finally made your hit song, but when does the dough begin to trickle in? Making sense of it all is not that easy. Who makes the money from licensing fees? How are these fees divided up? Who do you even contact to get these performance rights? Wonder no longer! RenmanMB presents Sean O'Malley, Senior Director of Strategic Services for ASCAP, who skyped into the broadcast to answer all these questions and more. If you're looking to make money for all your creative hard work, make sure you do not miss this video! If you're looking to do something great in today's music business than RenmanMB is for you! With over 90 live shows and 500+ ...

    published: 10 Jan 2013
  • Copyright and the Right of Public Performance

    In this http://www.artistshousemusic.org interview, Maggie Lange, an attorney and Professor of Music Business/Management at Berklee College of Music, explains the "right of public performance" clause of US copyright code, how performance rights organizations collect copyright fees from venues and radio stations, and how payments from these organizations make their way to the copyright holder.

    published: 10 Jan 2008
  • Performance Rights Controversy - What's the Beat?

    A quick overview of the Artist Royalty issue. Enjoy!

    published: 26 Aug 2009
  • PRS And PPL Explained

    While seen as a nuisance by some, PRS and PPL are great ways for musicians to make money; these societies allow musicians to collect the appropriate royalties owed to them. Unfortunately, even some of the most experienced musicians in the industry do not know about royalty collecting organisations and so miss out on what potentially could be thousands of pounds each year. Some great places where music can generate a lot of royalties are on national radio stations, played live at large concerts and festivals, TV (both commercials and programmes) and YouTube videos where the view counts are into the millions. Some see PRS and PPL as a hinderance - calling it "just another tax" but in reality these licenses are required so that the musicians who work hard to create the things people love a...

    published: 27 Sep 2015
  • The Right to Perform: A Documentary on Performance Rights Organizations

    Follow the lives of several working-class citizens or all share one thing in common: their love for music... which brings the second thing they have in common, namely, their individual involvements with Performance Rights Organizations. The business side of live music performance, P.R.O.s have operated quietly behind the scenes, and opinions about their ethics are as widely varied as the level of education pertaining to who they are and what they do.

    published: 27 Jan 2017
  • A Game with No Rules: Making Sense of Performance Rights in the Age of New Media

    In this clip from www.artistshousemusic.org - ASCAP Midwest Membership Director and music publishing teacher Shawn Murphy talks about the difficulties in applying the standard royalty model to new kinds of performances such as ring tones and streaming radio, which don't fit clearly into any existing performance category. In the absence of a new industry standard, Murphy talks about how he helps his students extrapolate ways to monetize performance rights in a changing landscape.

    published: 19 Jan 2011
  • Performing Rights Organizations

    What PROs do and how to get an appopintment with one in Nashville.

    published: 18 Nov 2011
  • Performance Rights Organizations

    ASCAP, BMI and SESAC...who are they and what do they do for songwriters and publishers? This video explains how these three US performance rights organizations work for writers and publishers to protect their rights and collect royalties on their behalf. We also look at what types of church activities require performance licenses.

    published: 02 Nov 2011
  • PPL and the Importance of Performance Rights

    This year PPL proudly celebrates its 80th anniversary, having started life in 1934 with the aim of ensuring that those who invest their time, talent and money in making recorded music are fairly paid for their work. This short film highlights the increasing importance of performance rights revenues and the work of PPL in a changing music industry landscape. The film features PPL CEO Peter Leathem, alongside a cast of PPL members and supporters including: • Chairman of the Scottish Music Industry Association (SMIA) and Director of Chemikal Underground Records, Stewart HendersonProducer and Chair of the Music Producer's Guild, Steve Levine • Founder and Chairman of Beggars Group, Martin MillsDirector of Music at The Bedford, Balham, Tony Moore Pop act Olly Murs also features, havi...

    published: 16 Jun 2014
  • ASCAP BMI SESAC - Which One Is Right For YOU?

    ASCAP BMI or SESAC. Which Performing Rights Organization is right for you? ----------------------------- MORE INFO BELOW ------------------------- Email : MusicLicensingPodcast@Gmail.com Twitter @Jfulfordtheiii Instagram JohnFulford Facebook : https://www.facebook.com/MusicLicensingPodcast/ Snapchat : FulfordMusic

    published: 26 Jun 2017
  • BGESTA Performance Rights Script

    The Bord Gais Energy Theatre Students Awards, What you need to know to enter

    published: 01 Nov 2016
  • Publishing Deals and Performance Rights Organizations

    In this http://www.artistshousemusic.org video, Wallace Collins, an entertainment attorney based in New York, explains how music publishing deals typically work, the role that performance rights societies (such as BMI, ASCAP and SESAC) play in managing publishing arrangements -- and the murky question of just how much money they get for their assistance.

    published: 06 Jun 2008
  • YouTube, PRS in the UK (Performing Rights Society 4 music)

    YouTube - PRS, music in videos , how will it efect us? http://www.youtube.com/blog http://www.djtutor.com/affairs ----------------- Nothing in this tutorial is provided as legal advice. It is provided for information purposes only.

    published: 12 Mar 2009
  • Music Copyrights, Split Sheets, Performance Rights Orgs with Richard Jefferson, Keonda Gaspard

    Music Producers - http://dynamicproducer.com | Sign up for our free course, submit beats & get biz Video: Music Copyrights, Split Sheets, Performance Rights Orgs with Richard Jefferson, Keonda Gaspard Music Producer | Music Producer Interview | Music Producer Tips |How To Become A Music Producer | Music Producer Business | Music Producer Career | Music Producer Advice | Music Producer Motivation | Music Producer Contracts | Music Producer Royalties Ready to put your music, career and business into over-drive? Join Dynamic Producer today and get on the path towards becoming a successful music producer. Gain access to our exclusive suite of membership benefits including: *constructive music feedback *one-on-one music ​career counseling​ *​private music production & mix coaching *music ...

    published: 26 Jan 2014
  • Understanding Performance Royalties | #IndieMinute

    In Episode 2 of #IndieMinute, we break down performance royalties in music, and how you can make sure you get them as quickly as possible by affiliating with a Performing Rights Organization. Join our E-mail List for Weekly Tips, Tools and Case Studies: http://indieminute.link/mail Subscribe on YouTube: http://indieminute.link/youtube KDMR Music on Facebook: http://indieminute.link/Facebook Follow us on Twitter: http://indiminute.link/Twitter

    published: 25 Oct 2016
  • Common Performance Rights Myths

    There are a lot of myths surrounding copyrighted material and its use in the church. We address some the the most common myths we come across, along with explanations, to better inform the Christian community of its requirements and responsibilities when performing and play copyrighted music.

    published: 02 Nov 2011
  • Understanding Performing Rights Organizations (PROs): Royalties! (part 3 of 4)

    A four part tutorial for songwriters about Performing Rights Organizations (ASCAP, BMI and SESAC). This third part discusses royalties from radio, TV, streaming, performances, covers as well as PRO perks like credibility and discounts. I also talk about the first royalty check I ever got and compare the whole thing to Charles Dickens' "A Tale Of Two Cities", cuz why wouldn't I?! My apologies for the intense lighting! I'll fix it for the next filming session. Got a music business question? Let me know in the comments.

    published: 10 Dec 2015
  • How to Add Music to ASCAP, BMI, or other Performing Rights Organizations (Tutorial)

    In this video, I talk about how to update your catalog to ASCAP, BMI, or other performing rights organizations. What is ASCAP, BMI, & PRO? https://youtu.be/iVPspz2x0IY Need Help to Monetize your Independent Music Career? Get a 1 Hour Consultation with T. Jay Here: ($75/hour) ► https://www.otmmg.com/rise/ Listen to WordPlay T. Jay's Music at YOUTUBEhttp://youtube.com/wordplaytjay WordPlay T. Jay's Music STREAM ►http://wordplaytjay.com FOLLOW on SOCIAL ► http://instagram.com/wordplaytjay http://twitter.com/wordplaytjay http://facebook.com/wordplaytjay http://snapchat.com/add/wordplaytjay DEALS for MUSICIANS ____________________________________________________ Distribute your music and save 7% ► https://distrokid.com/vip/seven/621090 Create your Band's Website with Bandzoogle ► ht...

    published: 15 Jan 2018
  • Understanding The Right of Public Performance: How it Generates Money

    in this clip from www.artistshousemusic.org - ASCAP Midwest Membership Director Shawn Murphy provides a concise definition of "public performance," and explains the ways in which performing rights organizations drive revenue for both the licensees and the publishers. Related topics include what kinds of businesses require a license to "perform" music and why; how money is collected from these performances; and the role of public performance in the overall music marketplace.

    published: 19 Jan 2011
  • Registering Works with Performing Rights Societies (PROs)

    This quick video shows you how to register your works (music) with Performing Rights Societies (PROs).

    published: 13 Sep 2014
  • Rapper Marketing 911 - What is the Difference Between ASCAP & BMI?

    Rapper Marketing 911 - What is the Difference Between ASCAP & BMI? Rappers, being apart of a Performance Rights Organization is one of those things we hear on a consistent basis that we should be apart of, however many of us are unsure what their role is in our career. Here's a simplified explanation of the role and difference between PROs ASCAP & BMI. Subscribe! ► http://bit.ly/Sub2CurtissKingTV Website ► http://CurtissKing.com Email List ► http://bit.ly/1qD1v8E Curtiss King Recording Artist, Music Producer, & Consultant http://www.CurtissKingBeats.com Facebook ► http://Facebook.com/MyCurtissKingBeats Twitter ► http://Twitter.com/CurtissKing Book a 1 on 1 Consultation with Curtiss King: http://www.curtissking.com/1-on-1-with-curtiss.html Musicians! Create Your Own WEBSITE : https://w...

    published: 10 May 2016
  • Wanderers - a short film by Erik Wernquist

    For more information and stills gallery, please turn to: www.erikwernquist.com/wanderers For youtube version, please turn here: https://www.youtube.com/watch?v=YH3c1QZzRK4 ----- UPDATE: For anyone interested I have made a clip with a few discarded scenes from this film, which can be seen here: https://vimeo.com/132183031 UPDATE: Subtitles added, in English and Spanish, provided by Victor Terrón. Thank you Victor! And in Traditional Chinese by Titus Ou. Thank you Titus! And thank you John Walter for French, Shinwoo Jeon for Korean, and Yoav Landsman and Ehud Maimon for Hebrew! ----- Wanderers is a vision of humanity's expansion into the Solar System, based on scientific ideas and concepts of what our future in space might look like, if it ever happens. The locations depicted in the film ar...

    published: 11 Oct 2014
developed with YouTube
SESAC, ASCAP, BMI - Performing Rights Organization Society - Explained - PRO - Music Publishing
6:43

SESAC, ASCAP, BMI - Performing Rights Organization Society - Explained - PRO - Music Publishing

  • Order:
  • Duration: 6:43
  • Updated: 10 Oct 2014
  • views: 8842
videos
A PRO is "Not" a Music Publisher. Performing Rights Organizations explained. Performing Rights Organization Society - Explained - PRO - SESAC, ASCAP, BMI - PRS - Music Publishing I will be posting videos every week, so let me know what you want to learn and I'll do my best to accommodate. Continue to rock out!!! And love what you do. http://www.urbanguitarlegend.com http://www.facebook.com/urbanguitarlegend http://www.twitter.com/elliotholden http://instagram.com/therealelliotholden
https://wn.com/Sesac,_Ascap,_Bmi_Performing_Rights_Organization_Society_Explained_Pro_Music_Publishing
What Is A Performing Rights Organization?
1:12

What Is A Performing Rights Organization?

  • Order:
  • Duration: 1:12
  • Updated: 22 Mar 2017
  • views: 8882
videos
Welcome to another music quick tips video by http://emusicbranding.com A Performing Rights Organization, also known as a PRO, is an organization that collects performing rights royalties on behalf of its members, music publishers, and composers. Once all the royalties are collected the PRO then deducts its service fees and distributes the rest to its members. Here Are Some Reasons Why An Artist Should Join A PRO: • Because A Performing Rights Agency helps monitor your radio and show performances so you can get paid • The also help to introduce you to many professionals within the music industry such as music managers, A&R’s, Producers, Publishers & artists • And they help license your music to Tv, Film, Theater, and Game Companies So which PRO is the best? The truth is some Performing Rights Organizations may differ a bit in how they pay artists, but in general, they all provide the same services. For more information on where to obtain a list of Performing Rights Organizations visit Emusicbranding.com Performing Rights Agency Tags: performing rights organization bmi performing rights organization uk which performing rights organization is the best performance rights organization database performing rights organization us performance rights organization definition why performing rights organizations are needed performance rights shares
https://wn.com/What_Is_A_Performing_Rights_Organization
PERFORMING RIGHTS ORGANIZATIONS : A CONVERSATION WITH ASCAP, BMI & SESAC
58:58

PERFORMING RIGHTS ORGANIZATIONS : A CONVERSATION WITH ASCAP, BMI & SESAC

  • Order:
  • Duration: 58:58
  • Updated: 16 Jun 2017
  • views: 1620
videos
Henny’z Hangout Episode 015 Today we’re talking Perfroming Rights Organizations, Royalties, Publishing and making your music a “Business” !! Feeling super proud to have brought all three PRO’s together for a great conversation! We #doitfortheculture This Episode shares knowledge from: Jason Reddick - @jasonreddick_ ASCAP.com Mitch Martin - @missilemartian BMI.com/join Greg Smith - @four_gs SESAC.com FOLLOW THOSE FELLAS TO LEARN MORE!! FOLLOW ME ONLINE HERE: Website: http://hennythabizness.com Instagram: https://www.instagram.com/hennythabizness/ Facebook: https://www.facebook.com/hennythabizness Twitter: https://twitter.com/hennythabizness Snapchat: https://www.snapchat.com/add/hennythabiz Soundcloud: https://soundcloud.com/henny-tha-bizness Here is my current GEAR KIT: https://kit.com/hennythabizness
https://wn.com/Performing_Rights_Organizations_A_Conversation_With_Ascap,_Bmi_Sesac
Learning Licensing Fees, Performance Rights, and ASCAP with Sean O'Malley
7:34

Learning Licensing Fees, Performance Rights, and ASCAP with Sean O'Malley

  • Order:
  • Duration: 7:34
  • Updated: 10 Jan 2013
  • views: 5568
videos
aPpKVg -~-~~-~~~-~~-~- Talking song business, there is a lot of legal jargon to sift through when understanding how to get paid for your music. You finally made your hit song, but when does the dough begin to trickle in? Making sense of it all is not that easy. Who makes the money from licensing fees? How are these fees divided up? Who do you even contact to get these performance rights? Wonder no longer! RenmanMB presents Sean O'Malley, Senior Director of Strategic Services for ASCAP, who skyped into the broadcast to answer all these questions and more. If you're looking to make money for all your creative hard work, make sure you do not miss this video! If you're looking to do something great in today's music business than RenmanMB is for you! With over 90 live shows and 500+ videos, we're talking with the smartest, most talented artists and music professionals about today's music business. Founded by legendary Music Industry expert Steve Rennie, RenmanMB is your one stop for the best advice and education on today's music business. For exclusive access to our content and site, become a member of our site by clicking here: http://www.renmanmb.com/community/register Don't have a manager but have a question for the Renman? #AskRenman! Click here to submit your question and the Renman will personally answer it: http://www.renmanmb.com/ask-renman/ Be sure to subscribe to our YouTube page for new content updated weekly!http://bit.ly/subscribeRENMANMB Find RenmanMB on social media: Facebook: http://www.facebook.com/renmanmb Twitter: http://www.twitter.com/renmanmb Google+: http://plus.google.com/renmanmb Instagram: http://www.instagram.com/renmanmb Soundcloud: https://soundcloud.com/renman-live ------------------------- renman renmanmb "steve rennie" "manager" "band" "music" "music industry" "music and business" "renman music and business" "how to" business "indie music" musicians "rock music" label "record label" YouTube "YouTube music video" "A bad manager is worse than no manager at all" -Renman Would you know your perfect manager if you met them? Check out our Tips From the Pros Management PDF to find out what you should be looking for in your search for the right manager. https://renmanu.com/wp-content/uploads/2015/12/Tips-from-the-Pros-Manager.pdf "A bad manager is worse than no manager at all"-Renman Would you know your perfect manager if you met them? Check out our Tip From the Pros Management PDF to find out what you should be looking for in your search for the right manager. https://renmanu.com/wp-content/uploads/2015/12/Tips-from-the-Pros-Manager.pdf
https://wn.com/Learning_Licensing_Fees,_Performance_Rights,_And_Ascap_With_Sean_O'Malley
Copyright and the Right of Public Performance
3:46

Copyright and the Right of Public Performance

  • Order:
  • Duration: 3:46
  • Updated: 10 Jan 2008
  • views: 17060
videos
In this http://www.artistshousemusic.org interview, Maggie Lange, an attorney and Professor of Music Business/Management at Berklee College of Music, explains the "right of public performance" clause of US copyright code, how performance rights organizations collect copyright fees from venues and radio stations, and how payments from these organizations make their way to the copyright holder.
https://wn.com/Copyright_And_The_Right_Of_Public_Performance
Performance Rights Controversy - What's the Beat?
10:00

Performance Rights Controversy - What's the Beat?

  • Order:
  • Duration: 10:00
  • Updated: 26 Aug 2009
  • views: 109
videos
A quick overview of the Artist Royalty issue. Enjoy!
https://wn.com/Performance_Rights_Controversy_What's_The_Beat
PRS And PPL Explained
5:35

PRS And PPL Explained

  • Order:
  • Duration: 5:35
  • Updated: 27 Sep 2015
  • views: 6461
videos
While seen as a nuisance by some, PRS and PPL are great ways for musicians to make money; these societies allow musicians to collect the appropriate royalties owed to them. Unfortunately, even some of the most experienced musicians in the industry do not know about royalty collecting organisations and so miss out on what potentially could be thousands of pounds each year. Some great places where music can generate a lot of royalties are on national radio stations, played live at large concerts and festivals, TV (both commercials and programmes) and YouTube videos where the view counts are into the millions. Some see PRS and PPL as a hinderance - calling it "just another tax" but in reality these licenses are required so that the musicians who work hard to create the things people love are rewarded fairly. Music has always been a very difficult industry and the vast majority of those employed in this sector do not earn bucket loads of money (although the general public would probably believe otherwise). The great thing about PRS is that just about any musician who's currently playing original songs at any live venue can claim PRS royalties. The typical royalty for a small pub gig would in most cases not amount to more than a pound but this quickly increases were one to play larger venues or even at festivals which typically pay very large PRS tarriffs that are distributed amongst the PRS members performing at that festival/venue. Please note that signing up with either PRS or PPL may take a week or two and that there is a £50 signing-up fee to join PRS but this is a one time only fee. You can't claim PRS royalties for performances in small venues if the songs were not registered with PRS at the time of the performance. Obviously to collect PRS royalties for a song you must have been the songwriter or at least have a writing credit.
https://wn.com/Prs_And_Ppl_Explained
The Right to Perform: A Documentary on Performance Rights Organizations
52:56

The Right to Perform: A Documentary on Performance Rights Organizations

  • Order:
  • Duration: 52:56
  • Updated: 27 Jan 2017
  • views: 78
videos
Follow the lives of several working-class citizens or all share one thing in common: their love for music... which brings the second thing they have in common, namely, their individual involvements with Performance Rights Organizations. The business side of live music performance, P.R.O.s have operated quietly behind the scenes, and opinions about their ethics are as widely varied as the level of education pertaining to who they are and what they do.
https://wn.com/The_Right_To_Perform_A_Documentary_On_Performance_Rights_Organizations
A Game with No Rules: Making Sense of Performance Rights in the Age of New Media
4:22

A Game with No Rules: Making Sense of Performance Rights in the Age of New Media

  • Order:
  • Duration: 4:22
  • Updated: 19 Jan 2011
  • views: 388
videos
In this clip from www.artistshousemusic.org - ASCAP Midwest Membership Director and music publishing teacher Shawn Murphy talks about the difficulties in applying the standard royalty model to new kinds of performances such as ring tones and streaming radio, which don't fit clearly into any existing performance category. In the absence of a new industry standard, Murphy talks about how he helps his students extrapolate ways to monetize performance rights in a changing landscape.
https://wn.com/A_Game_With_No_Rules_Making_Sense_Of_Performance_Rights_In_The_Age_Of_New_Media
Performing Rights Organizations
6:34

Performing Rights Organizations

  • Order:
  • Duration: 6:34
  • Updated: 18 Nov 2011
  • views: 570
videos
What PROs do and how to get an appopintment with one in Nashville.
https://wn.com/Performing_Rights_Organizations
Performance Rights Organizations
2:27

Performance Rights Organizations

  • Order:
  • Duration: 2:27
  • Updated: 02 Nov 2011
  • views: 2255
videos
ASCAP, BMI and SESAC...who are they and what do they do for songwriters and publishers? This video explains how these three US performance rights organizations work for writers and publishers to protect their rights and collect royalties on their behalf. We also look at what types of church activities require performance licenses.
https://wn.com/Performance_Rights_Organizations
PPL and the Importance of Performance Rights
4:40

PPL and the Importance of Performance Rights

  • Order:
  • Duration: 4:40
  • Updated: 16 Jun 2014
  • views: 1998
videos
This year PPL proudly celebrates its 80th anniversary, having started life in 1934 with the aim of ensuring that those who invest their time, talent and money in making recorded music are fairly paid for their work. This short film highlights the increasing importance of performance rights revenues and the work of PPL in a changing music industry landscape. The film features PPL CEO Peter Leathem, alongside a cast of PPL members and supporters including: • Chairman of the Scottish Music Industry Association (SMIA) and Director of Chemikal Underground Records, Stewart HendersonProducer and Chair of the Music Producer's Guild, Steve Levine • Founder and Chairman of Beggars Group, Martin MillsDirector of Music at The Bedford, Balham, Tony Moore Pop act Olly Murs also features, having sent us a message of thanks for his recognition as the most played artist of 2013 in our 'PPL People's Artist Chart'. PPL's annual 'People's' charts are compiled from music data from PPL's licensees across the UK (including radio stations and television channels as well as public performance locations such as pubs, clubs, bars, jukeboxes, gyms and shops). Discover who made the top ten of all three of our charts on our website: http://bit.ly/1i0RPQ3
https://wn.com/Ppl_And_The_Importance_Of_Performance_Rights
ASCAP BMI SESAC - Which One Is Right For YOU?
6:19

ASCAP BMI SESAC - Which One Is Right For YOU?

  • Order:
  • Duration: 6:19
  • Updated: 26 Jun 2017
  • views: 5768
videos
ASCAP BMI or SESAC. Which Performing Rights Organization is right for you? ----------------------------- MORE INFO BELOW ------------------------- Email : MusicLicensingPodcast@Gmail.com Twitter @Jfulfordtheiii Instagram JohnFulford Facebook : https://www.facebook.com/MusicLicensingPodcast/ Snapchat : FulfordMusic
https://wn.com/Ascap_Bmi_Sesac_Which_One_Is_Right_For_You
BGESTA Performance Rights Script
1:30

BGESTA Performance Rights Script

  • Order:
  • Duration: 1:30
  • Updated: 01 Nov 2016
  • views: 11
videos
The Bord Gais Energy Theatre Students Awards, What you need to know to enter
https://wn.com/Bgesta_Performance_Rights_Script
Publishing Deals and Performance Rights Organizations
3:48

Publishing Deals and Performance Rights Organizations

  • Order:
  • Duration: 3:48
  • Updated: 06 Jun 2008
  • views: 15038
videos
In this http://www.artistshousemusic.org video, Wallace Collins, an entertainment attorney based in New York, explains how music publishing deals typically work, the role that performance rights societies (such as BMI, ASCAP and SESAC) play in managing publishing arrangements -- and the murky question of just how much money they get for their assistance.
https://wn.com/Publishing_Deals_And_Performance_Rights_Organizations
YouTube, PRS in the UK (Performing Rights Society 4 music)
3:40

YouTube, PRS in the UK (Performing Rights Society 4 music)

  • Order:
  • Duration: 3:40
  • Updated: 12 Mar 2009
  • views: 3367
videos
YouTube - PRS, music in videos , how will it efect us? http://www.youtube.com/blog http://www.djtutor.com/affairs ----------------- Nothing in this tutorial is provided as legal advice. It is provided for information purposes only.
https://wn.com/Youtube,_Prs_In_The_UK_(Performing_Rights_Society_4_Music)
Music Copyrights, Split Sheets, Performance Rights Orgs with Richard Jefferson, Keonda Gaspard
6:55

Music Copyrights, Split Sheets, Performance Rights Orgs with Richard Jefferson, Keonda Gaspard

  • Order:
  • Duration: 6:55
  • Updated: 26 Jan 2014
  • views: 9196
videos
Music Producers - http://dynamicproducer.com | Sign up for our free course, submit beats & get biz Video: Music Copyrights, Split Sheets, Performance Rights Orgs with Richard Jefferson, Keonda Gaspard Music Producer | Music Producer Interview | Music Producer Tips |How To Become A Music Producer | Music Producer Business | Music Producer Career | Music Producer Advice | Music Producer Motivation | Music Producer Contracts | Music Producer Royalties Ready to put your music, career and business into over-drive? Join Dynamic Producer today and get on the path towards becoming a successful music producer. Gain access to our exclusive suite of membership benefits including: *constructive music feedback *one-on-one music ​career counseling​ *​private music production & mix coaching *music submission opportunities (labels/artists/tv/film, etc.) *and much much more!!!! Like this video? Share it & subscribe to our channel for updates! Produced by Channel Dynamic exclusively for Dynamic Producer. All rights reserved.
https://wn.com/Music_Copyrights,_Split_Sheets,_Performance_Rights_Orgs_With_Richard_Jefferson,_Keonda_Gaspard
Understanding Performance Royalties | #IndieMinute
4:08

Understanding Performance Royalties | #IndieMinute

  • Order:
  • Duration: 4:08
  • Updated: 25 Oct 2016
  • views: 97
videos
In Episode 2 of #IndieMinute, we break down performance royalties in music, and how you can make sure you get them as quickly as possible by affiliating with a Performing Rights Organization. Join our E-mail List for Weekly Tips, Tools and Case Studies: http://indieminute.link/mail Subscribe on YouTube: http://indieminute.link/youtube KDMR Music on Facebook: http://indieminute.link/Facebook Follow us on Twitter: http://indiminute.link/Twitter
https://wn.com/Understanding_Performance_Royalties_|_Indieminute
Common Performance Rights Myths
3:44

Common Performance Rights Myths

  • Order:
  • Duration: 3:44
  • Updated: 02 Nov 2011
  • views: 2847
videos
There are a lot of myths surrounding copyrighted material and its use in the church. We address some the the most common myths we come across, along with explanations, to better inform the Christian community of its requirements and responsibilities when performing and play copyrighted music.
https://wn.com/Common_Performance_Rights_Myths
Understanding Performing Rights Organizations (PROs): Royalties! (part 3 of 4)
7:01

Understanding Performing Rights Organizations (PROs): Royalties! (part 3 of 4)

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  • Duration: 7:01
  • Updated: 10 Dec 2015
  • views: 403
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A four part tutorial for songwriters about Performing Rights Organizations (ASCAP, BMI and SESAC). This third part discusses royalties from radio, TV, streaming, performances, covers as well as PRO perks like credibility and discounts. I also talk about the first royalty check I ever got and compare the whole thing to Charles Dickens' "A Tale Of Two Cities", cuz why wouldn't I?! My apologies for the intense lighting! I'll fix it for the next filming session. Got a music business question? Let me know in the comments.
https://wn.com/Understanding_Performing_Rights_Organizations_(Pros)_Royalties_(Part_3_Of_4)
How to Add Music to ASCAP, BMI, or other Performing Rights Organizations (Tutorial)
16:17

How to Add Music to ASCAP, BMI, or other Performing Rights Organizations (Tutorial)

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  • Duration: 16:17
  • Updated: 15 Jan 2018
  • views: 326
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In this video, I talk about how to update your catalog to ASCAP, BMI, or other performing rights organizations. What is ASCAP, BMI, & PRO? https://youtu.be/iVPspz2x0IY Need Help to Monetize your Independent Music Career? Get a 1 Hour Consultation with T. Jay Here: ($75/hour) ► https://www.otmmg.com/rise/ Listen to WordPlay T. Jay's Music at YOUTUBEhttp://youtube.com/wordplaytjay WordPlay T. Jay's Music STREAM ►http://wordplaytjay.com FOLLOW on SOCIAL ► http://instagram.com/wordplaytjay http://twitter.com/wordplaytjay http://facebook.com/wordplaytjay http://snapchat.com/add/wordplaytjay DEALS for MUSICIANS ____________________________________________________ Distribute your music and save 7% ► https://distrokid.com/vip/seven/621090 Create your Band's Website with Bandzoogle ► http://bandzoogle.com/?memref=r3a7e0
https://wn.com/How_To_Add_Music_To_Ascap,_Bmi,_Or_Other_Performing_Rights_Organizations_(Tutorial)
Understanding The Right of Public Performance: How it Generates Money
4:22

Understanding The Right of Public Performance: How it Generates Money

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  • Duration: 4:22
  • Updated: 19 Jan 2011
  • views: 1073
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in this clip from www.artistshousemusic.org - ASCAP Midwest Membership Director Shawn Murphy provides a concise definition of "public performance," and explains the ways in which performing rights organizations drive revenue for both the licensees and the publishers. Related topics include what kinds of businesses require a license to "perform" music and why; how money is collected from these performances; and the role of public performance in the overall music marketplace.
https://wn.com/Understanding_The_Right_Of_Public_Performance_How_It_Generates_Money
Registering Works with Performing Rights Societies (PROs)
4:35

Registering Works with Performing Rights Societies (PROs)

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  • Duration: 4:35
  • Updated: 13 Sep 2014
  • views: 2094
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This quick video shows you how to register your works (music) with Performing Rights Societies (PROs).
https://wn.com/Registering_Works_With_Performing_Rights_Societies_(Pros)
Rapper Marketing 911 - What is the Difference Between ASCAP & BMI?
5:13

Rapper Marketing 911 - What is the Difference Between ASCAP & BMI?

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  • Duration: 5:13
  • Updated: 10 May 2016
  • views: 9344
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Rapper Marketing 911 - What is the Difference Between ASCAP & BMI? Rappers, being apart of a Performance Rights Organization is one of those things we hear on a consistent basis that we should be apart of, however many of us are unsure what their role is in our career. Here's a simplified explanation of the role and difference between PROs ASCAP & BMI. Subscribe! ► http://bit.ly/Sub2CurtissKingTV Website ► http://CurtissKing.com Email List ► http://bit.ly/1qD1v8E Curtiss King Recording Artist, Music Producer, & Consultant http://www.CurtissKingBeats.com Facebook ► http://Facebook.com/MyCurtissKingBeats Twitter ► http://Twitter.com/CurtissKing Book a 1 on 1 Consultation with Curtiss King: http://www.curtissking.com/1-on-1-with-curtiss.html Musicians! Create Your Own WEBSITE : https://www.youtube.com/watch?v=FBBF14WoC6c TO LISTEN TO THE CURTISS KING PODCAST http://bit.ly/TheCurtissKingPodcast LEARN HOW TO PROMOTE YOUR MUSIC RAPPERS & PRODUCERS https://www.youtube.com/playlist?list=PLlkIyFBqsH7qV9S00H64wnxeoWBQP5Y-m LISTEN TO BEATS BY CURTISS KING BEATS https://www.curtisskingbeats.com/ GET THIS BOOK FOR MUSIC PRODUCERS The Prosperous Hip Hop Producer https://www.curtisskingbeats.com/books.html HOW TO CREATE A MUSIC PRODUCER WEBSITE TO SELL BEATS http://musicproducerwebsite.com HOW TO CREATE A RAPPER WEBSITE TO SELL MUSIC & MERCH http://bit.ly/rapperwebsite 1 ON 1 RAPPER AND PRODUCER COACHING WITH CURTISS KING http://1on1withcurtissking.com LEARN HOW TO USE FL STUDIO http://flstudiobeginnersclass.com DRUM KITS FOR MUSIC PRODUCERS https://www.curtisskingbeats.com/store/c2/alldrumkits CONNECT WITH CURTISS KING ONLINE http://Instagram.com/CurtissKing http://Twitter.com/CurtissKing http://CurtissKingBeats.com
https://wn.com/Rapper_Marketing_911_What_Is_The_Difference_Between_Ascap_Bmi
Wanderers - a short film by Erik Wernquist
3:50

Wanderers - a short film by Erik Wernquist

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  • Duration: 3:50
  • Updated: 19 Dec 2016
  • views: 5930433
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For more information and stills gallery, please turn to: www.erikwernquist.com/wanderers For youtube version, please turn here: https://www.youtube.com/watch?v=YH3c1QZzRK4 ----- UPDATE: For anyone interested I have made a clip with a few discarded scenes from this film, which can be seen here: https://vimeo.com/132183031 UPDATE: Subtitles added, in English and Spanish, provided by Victor Terrón. Thank you Victor! And in Traditional Chinese by Titus Ou. Thank you Titus! And thank you John Walter for French, Shinwoo Jeon for Korean, and Yoav Landsman and Ehud Maimon for Hebrew! ----- Wanderers is a vision of humanity's expansion into the Solar System, based on scientific ideas and concepts of what our future in space might look like, if it ever happens. The locations depicted in the film are digital recreations of actual places in the Solar System, built from real photos and map data where available. Without any apparent story, other than what you may fill in by yourself, the idea of the film is primarily to show a glimpse of the fantastic and beautiful nature that surrounds us on our neighboring worlds - and above all, how it might appear to us if we were there. As some may notice I have borrowed ideas and concepts from science fiction authors such as Kim Stanley Robinson and Arthur C. Clarke, just to name a few. And visually, I of course owe many tips of my hat to painter Chesley Bonestell - the legendary master of space art. More directly, with kind permission from Ann Druyan I have also borrowed the voice of astronomer and author Carl Sagan to narrate the film. The audio I used are excerpts from his own reading of his book 'Pale Blue Dot: A Vision of the Human Future in Space' (1994, Random House, http://www.penguinrandomhouse.com/books/159735/pale-blue-dot-by-carl-sagan/) - needless to say, a huge inspiration for this film. ----- CREDITS: VISUALS BY - Erik Wernquist - erik@erikwernquist.com MUSIC BY - Cristian Sandquist - cristiansandquist@mac.com WRITTEN AND NARRATED BY - Carl Sagan - from his book 'Pale Blue Dot' http://www.penguinrandomhouse.com/books/159735/pale-blue-dot-by-carl-sagan/, courtesy of Ann Druyan, copyright by Democritus Properties, LLC, with all rights reserved COLOR GRADE BY - Caj Müller/Beckholmen Film - caj@beckholmenfilm.se LIVE ACTION PHOTOGRAPHY BY - Mikael Hall/Vidiotism - mikael@vidiotism.com LIVE ACTION PERFORMANCE BY - Anna Nerman, Camilla Hammarström, Hanna Mellin VOCALIST - Nina Fylkegård - nina@ladystardust.se THANK YOU - Johan Persson, Calle Herdenberg, Micke Lindgren, Satrio J. Studt, Tomas Axelsson, Christian Lundqvist, Micke Lindell, Sigfrid Söderberg, Fredrik Strage, Johan Antoni, Henrik Johansson, Michael Uvnäs, Hanna Mellin THIS FILM WAS MADE WITH USE OF PHOTOS AND TEXTURES FROM: NASA/JPL, NASA/CICLOPS, NASA/Goddard Space Flight Center Scientific Visualization Studio, ESA, John Van Vliet, Björn Jonsson (and many others, of which I unfortunately do not know the names) SUBTITLES & TRANSLATIONS PROVIDED BY - Victor Terrón (English, Spanish), Titus Ou (Traditional Chinese), John Walter (French), Shinwoo Jeon (Korean), Yoav Landsman & Ehud Maimon (Hebrew).
https://wn.com/Wanderers_A_Short_Film_By_Erik_Wernquist
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