• SESAC, ASCAP, BMI - Performing Rights Organization Society - Explained - PRO - Music Publishing

    A PRO is "Not" a Music Publisher. Performing Rights Organizations explained. Performing Rights Organization Society - Explained - PRO - SESAC, ASCAP, BMI - PRS - Music Publishing I will be posting videos every week, so let me know what you want to learn and I'll do my best to accommodate. Continue to rock out!!! And love what you do. http://www.urbanguitarlegend.com http://www.facebook.com/urbanguitarlegend http://www.twitter.com/elliotholden http://instagram.com/therealelliotholden

    published: 10 Oct 2014
  • What Is A Performing Rights Organization?

    Welcome to another music quick tips video by http://emusicbranding.com A Performing Rights Organization, also known as a PRO, is an organization that collects performing rights royalties on behalf of its members, music publishers, and composers. Once all the royalties are collected the PRO then deducts its service fees and distributes the rest to its members. Here Are Some Reasons Why An Artist Should Join A PRO: • Because A Performing Rights Agency helps monitor your radio and show performances so you can get paid • The also help to introduce you to many professionals within the music industry such as music managers, A&R’s, Producers, Publishers & artists • And they help license your music to Tv, Film, Theater, and Game Companies So which PRO is the best? The truth is some Performing ...

    published: 22 Mar 2017
  • Learning Licensing Fees, Performance Rights, and ASCAP with Sean O'Malley

    aPpKVg -~-~~-~~~-~~-~- Talking song business, there is a lot of legal jargon to sift through when understanding how to get paid for your music. You finally made your hit song, but when does the dough begin to trickle in? Making sense of it all is not that easy. Who makes the money from licensing fees? How are these fees divided up? Who do you even contact to get these performance rights? Wonder no longer! RenmanMB presents Sean O'Malley, Senior Director of Strategic Services for ASCAP, who skyped into the broadcast to answer all these questions and more. If you're looking to make money for all your creative hard work, make sure you do not miss this video! If you're looking to do something great in today's music business than RenmanMB is for you! With over 90 live shows and 500+ ...

    published: 10 Jan 2013
  • PRS And PPL Explained

    While seen as a nuisance by some, PRS and PPL are great ways for musicians to make money; these societies allow musicians to collect the appropriate royalties owed to them. Unfortunately, even some of the most experienced musicians in the industry do not know about royalty collecting organisations and so miss out on what potentially could be thousands of pounds each year. Some great places where music can generate a lot of royalties are on national radio stations, played live at large concerts and festivals, TV (both commercials and programmes) and YouTube videos where the view counts are into the millions. Some see PRS and PPL as a hinderance - calling it "just another tax" but in reality these licenses are required so that the musicians who work hard to create the things people love a...

    published: 27 Sep 2015
  • PERFORMING RIGHTS ORGANIZATIONS : A CONVERSATION WITH ASCAP, BMI & SESAC

    Henny’z Hangout Episode 015 Today we’re talking Perfroming Rights Organizations, Royalties, Publishing and making your music a “Business” !! Feeling super proud to have brought all three PRO’s together for a great conversation! We #doitfortheculture This Episode shares knowledge from: Jason Reddick - @jasonreddick_ ASCAP.com Mitch Martin - @missilemartian BMI.com/join Greg Smith - @four_gs SESAC.com FOLLOW THOSE FELLAS TO LEARN MORE!! FOLLOW ME ONLINE HERE: Website: http://hennythabizness.com Instagram: https://www.instagram.com/hennythabizness/ Facebook: https://www.facebook.com/hennythabizness Twitter: https://twitter.com/hennythabizness Snapchat: https://www.snapchat.com/add/hennythabiz Soundcloud: https://soundcloud.com/henny-tha-bizness Here is my current GEAR KIT: https://...

    published: 16 Jun 2017
  • Copyright and the Right of Public Performance

    In this http://www.artistshousemusic.org interview, Maggie Lange, an attorney and Professor of Music Business/Management at Berklee College of Music, explains the "right of public performance" clause of US copyright code, how performance rights organizations collect copyright fees from venues and radio stations, and how payments from these organizations make their way to the copyright holder.

    published: 10 Jan 2008
  • Registering Works with Performing Rights Societies (PROs)

    This quick video shows you how to register your works (music) with Performing Rights Societies (PROs).

    published: 13 Sep 2014
  • PPL and the Importance of Performance Rights

    This year PPL proudly celebrates its 80th anniversary, having started life in 1934 with the aim of ensuring that those who invest their time, talent and money in making recorded music are fairly paid for their work. This short film highlights the increasing importance of performance rights revenues and the work of PPL in a changing music industry landscape. The film features PPL CEO Peter Leathem, alongside a cast of PPL members and supporters including: • Chairman of the Scottish Music Industry Association (SMIA) and Director of Chemikal Underground Records, Stewart HendersonProducer and Chair of the Music Producer's Guild, Steve Levine • Founder and Chairman of Beggars Group, Martin MillsDirector of Music at The Bedford, Balham, Tony Moore Pop act Olly Murs also features, havi...

    published: 16 Jun 2014
  • Understanding Performing Rights Organizations (PROs): Royalties! (part 3 of 4)

    A four part tutorial for songwriters about Performing Rights Organizations (ASCAP, BMI and SESAC). This third part discusses royalties from radio, TV, streaming, performances, covers as well as PRO perks like credibility and discounts. I also talk about the first royalty check I ever got and compare the whole thing to Charles Dickens' "A Tale Of Two Cities", cuz why wouldn't I?! My apologies for the intense lighting! I'll fix it for the next filming session. Got a music business question? Let me know in the comments.

    published: 10 Dec 2015
  • Music Copyrights, Split Sheets, Performance Rights Orgs with Richard Jefferson, Keonda Gaspard

    Music Producers - http://dynamicproducer.com | Sign up for our free course, submit beats & get biz Video: Music Copyrights, Split Sheets, Performance Rights Orgs with Richard Jefferson, Keonda Gaspard Music Producer | Music Producer Interview | Music Producer Tips |How To Become A Music Producer | Music Producer Business | Music Producer Career | Music Producer Advice | Music Producer Motivation | Music Producer Contracts | Music Producer Royalties Ready to put your music, career and business into over-drive? Join Dynamic Producer today and get on the path towards becoming a successful music producer. Gain access to our exclusive suite of membership benefits including: *constructive music feedback *one-on-one music ​career counseling​ *​private music production & mix coaching *music ...

    published: 26 Jan 2014
  • Performance Rights Organizations

    ASCAP, BMI and SESAC...who are they and what do they do for songwriters and publishers? This video explains how these three US performance rights organizations work for writers and publishers to protect their rights and collect royalties on their behalf. We also look at what types of church activities require performance licenses.

    published: 02 Nov 2011
  • A Game with No Rules: Making Sense of Performance Rights in the Age of New Media

    In this clip from www.artistshousemusic.org - ASCAP Midwest Membership Director and music publishing teacher Shawn Murphy talks about the difficulties in applying the standard royalty model to new kinds of performances such as ring tones and streaming radio, which don't fit clearly into any existing performance category. In the absence of a new industry standard, Murphy talks about how he helps his students extrapolate ways to monetize performance rights in a changing landscape.

    published: 19 Jan 2011
  • Publishing Deals and Performance Rights Organizations

    In this http://www.artistshousemusic.org video, Wallace Collins, an entertainment attorney based in New York, explains how music publishing deals typically work, the role that performance rights societies (such as BMI, ASCAP and SESAC) play in managing publishing arrangements -- and the murky question of just how much money they get for their assistance.

    published: 06 Jun 2008
  • Performance Rights Controversy - What's the Beat?

    A quick overview of the Artist Royalty issue. Enjoy!

    published: 26 Aug 2009
  • Understanding The Right of Public Performance: How it Generates Money

    in this clip from www.artistshousemusic.org - ASCAP Midwest Membership Director Shawn Murphy provides a concise definition of "public performance," and explains the ways in which performing rights organizations drive revenue for both the licensees and the publishers. Related topics include what kinds of businesses require a license to "perform" music and why; how money is collected from these performances; and the role of public performance in the overall music marketplace.

    published: 19 Jan 2011
  • How to Copyright a Song : Performance Rights Organizations

    Get help for copyright issues. Learn When to send your song to a Performance rights organization in this free music business and song publishing video. Expert: Antonio Neal Bio: Antonio Neal has written more than 40 cuts for artists such as Stacie Orrico, Darlene McCoy, and Tyler Perry. He recently released his debut album, Days of My Life. Filmmaker: ricky burchell

    published: 02 Apr 2008
  • The Music Industry - P. R. S. Performing Rights Society

    Instant Melodies presents The Music Industry - P. R. S. Performing Rights Society Information about P.R.S. Performing Right Society the United Kingdom association of composers, songwriters and music publishers. It administers the performing right in their music. PRS for Music manages about 10 million musical works on behalf of its songwriter, composer and publisher members. PRS for Music licenses its members' musical works whenever they are played, performed or reproduced both in the UK and globally through its partner network. [2] A PRS for Music licence gives the user permission to play or use the music it represents in a number of circumstances such as on radio, TV, online or in public premises www.prsformusic.com/

    published: 30 Jul 2013
  • Performing Rights Organizations

    What PROs do and how to get an appopintment with one in Nashville.

    published: 18 Nov 2011
  • Join a Performing Rights Organization | Rap Music

    Like these Rap Lessons !!! Check out the official app http://apple.co/1QQmwX4 Watch more How to Rap videos: http://www.howcast.com/videos/512499-Join-a-Performing-Rights-Organization-Rap-Music The reason you should join a performing rights organization is you want to get paid. You want to make money in the music business, you must join a performing rights organization. Because, when a record or music plays on television, in a club or on the radio, there's no way to track who and when that music is being played. So, performing rights organizations are set up to work with record labels, recording artists, performing venues to pay artists for the use of their song. So, when you listen to the radio and you hear a song by Jay-Z, you're listening because that song that you like is going to...

    published: 30 Aug 2013
  • William Fisher, CopyrightX: Lecture 8.3, Distribution & Performance Rights: Exceptions & Limitations

    The terms on which this lecture may be used or modified are available at http://copyx.org/permission. The lecture was prepared for a Harvard Law School course on Copyright Law, and for the CopyrightX course, offered under the auspices of HarvardX. Information concerning both courses can be found at http://copyx.org.

    published: 14 Feb 2015
  • Performing Rights Societies

    As a song writer, music composer or publisher you are entitled to payment for the public use of your music. In this video I talk about the organizations that collect monies on your behalf for the use your songs. SOCAN - www.socan.ca ASCAP - www.ascap.com BMI - www.bmi.com Filmed & Edited by Arlo Maverick Music by J. Soul - @csproducto Find Arlo Maverick Online at: www.ArloMaverick.com Twitter: @ArloMaverick Instagram: @ArloMaverick Bandcamp: ArloMaverick.BandCamp.com/ Soundcloud: https://Soundcloud.com/ArloMaverick Facebook: https://www.facebook.com/ArloMaverick

    published: 07 Jan 2016
  • PERFORMING RIGHT #DOES (eps 244)

    DIARY OF ERIX SOEKAMTI

    published: 26 May 2016
  • The Right to Perform: A Documentary on Performance Rights Organizations

    Follow the lives of several working-class citizens or all share one thing in common: their love for music... which brings the second thing they have in common, namely, their individual involvements with Performance Rights Organizations. The business side of live music performance, P.R.O.s have operated quietly behind the scenes, and opinions about their ethics are as widely varied as the level of education pertaining to who they are and what they do.

    published: 27 Jan 2017
  • Performance Rights Organizations

    US Performance Rights Organizations

    published: 05 Jan 2010
  • Performers' Rights

    published: 15 Apr 2016
  • Dtwahn Performing "Right Now"

    published: 02 Apr 2017
  • Performers' Rights Final Submission

    published: 29 Apr 2016
  • 16. Performance Rights Organizations

    published: 08 Aug 2015
  • [UNNIES] - Performing (Right?) [FAN CAM]

    published: 16 May 2017
developed with YouTube
SESAC, ASCAP, BMI - Performing Rights Organization Society - Explained - PRO - Music Publishing

SESAC, ASCAP, BMI - Performing Rights Organization Society - Explained - PRO - Music Publishing

  • Order:
  • Duration: 6:43
  • Updated: 10 Oct 2014
  • views: 8577
videos
A PRO is "Not" a Music Publisher. Performing Rights Organizations explained. Performing Rights Organization Society - Explained - PRO - SESAC, ASCAP, BMI - PRS - Music Publishing I will be posting videos every week, so let me know what you want to learn and I'll do my best to accommodate. Continue to rock out!!! And love what you do. http://www.urbanguitarlegend.com http://www.facebook.com/urbanguitarlegend http://www.twitter.com/elliotholden http://instagram.com/therealelliotholden
https://wn.com/Sesac,_Ascap,_Bmi_Performing_Rights_Organization_Society_Explained_Pro_Music_Publishing
What Is A Performing Rights Organization?

What Is A Performing Rights Organization?

  • Order:
  • Duration: 1:12
  • Updated: 22 Mar 2017
  • views: 8778
videos
Welcome to another music quick tips video by http://emusicbranding.com A Performing Rights Organization, also known as a PRO, is an organization that collects performing rights royalties on behalf of its members, music publishers, and composers. Once all the royalties are collected the PRO then deducts its service fees and distributes the rest to its members. Here Are Some Reasons Why An Artist Should Join A PRO: • Because A Performing Rights Agency helps monitor your radio and show performances so you can get paid • The also help to introduce you to many professionals within the music industry such as music managers, A&R’s, Producers, Publishers & artists • And they help license your music to Tv, Film, Theater, and Game Companies So which PRO is the best? The truth is some Performing Rights Organizations may differ a bit in how they pay artists, but in general, they all provide the same services. For more information on where to obtain a list of Performing Rights Organizations visit Emusicbranding.com Performing Rights Agency Tags: performing rights organization bmi performing rights organization uk which performing rights organization is the best performance rights organization database performing rights organization us performance rights organization definition why performing rights organizations are needed performance rights shares
https://wn.com/What_Is_A_Performing_Rights_Organization
Learning Licensing Fees, Performance Rights, and ASCAP with Sean O'Malley

Learning Licensing Fees, Performance Rights, and ASCAP with Sean O'Malley

  • Order:
  • Duration: 7:34
  • Updated: 10 Jan 2013
  • views: 5384
videos
aPpKVg -~-~~-~~~-~~-~- Talking song business, there is a lot of legal jargon to sift through when understanding how to get paid for your music. You finally made your hit song, but when does the dough begin to trickle in? Making sense of it all is not that easy. Who makes the money from licensing fees? How are these fees divided up? Who do you even contact to get these performance rights? Wonder no longer! RenmanMB presents Sean O'Malley, Senior Director of Strategic Services for ASCAP, who skyped into the broadcast to answer all these questions and more. If you're looking to make money for all your creative hard work, make sure you do not miss this video! If you're looking to do something great in today's music business than RenmanMB is for you! With over 90 live shows and 500+ videos, we're talking with the smartest, most talented artists and music professionals about today's music business. Founded by legendary Music Industry expert Steve Rennie, RenmanMB is your one stop for the best advice and education on today's music business. For exclusive access to our content and site, become a member of our site by clicking here: http://www.renmanmb.com/community/register Don't have a manager but have a question for the Renman? #AskRenman! Click here to submit your question and the Renman will personally answer it: http://www.renmanmb.com/ask-renman/ Be sure to subscribe to our YouTube page for new content updated weekly!http://bit.ly/subscribeRENMANMB Find RenmanMB on social media: Facebook: http://www.facebook.com/renmanmb Twitter: http://www.twitter.com/renmanmb Google+: http://plus.google.com/renmanmb Instagram: http://www.instagram.com/renmanmb Soundcloud: https://soundcloud.com/renman-live ------------------------- renman renmanmb "steve rennie" "manager" "band" "music" "music industry" "music and business" "renman music and business" "how to" business "indie music" musicians "rock music" label "record label" YouTube "YouTube music video" "A bad manager is worse than no manager at all" -Renman Would you know your perfect manager if you met them? Check out our Tips From the Pros Management PDF to find out what you should be looking for in your search for the right manager. https://renmanu.com/wp-content/uploads/2015/12/Tips-from-the-Pros-Manager.pdf "A bad manager is worse than no manager at all"-Renman Would you know your perfect manager if you met them? Check out our Tip From the Pros Management PDF to find out what you should be looking for in your search for the right manager. https://renmanu.com/wp-content/uploads/2015/12/Tips-from-the-Pros-Manager.pdf
https://wn.com/Learning_Licensing_Fees,_Performance_Rights,_And_Ascap_With_Sean_O'Malley
PRS And PPL Explained

PRS And PPL Explained

  • Order:
  • Duration: 5:35
  • Updated: 27 Sep 2015
  • views: 5577
videos
While seen as a nuisance by some, PRS and PPL are great ways for musicians to make money; these societies allow musicians to collect the appropriate royalties owed to them. Unfortunately, even some of the most experienced musicians in the industry do not know about royalty collecting organisations and so miss out on what potentially could be thousands of pounds each year. Some great places where music can generate a lot of royalties are on national radio stations, played live at large concerts and festivals, TV (both commercials and programmes) and YouTube videos where the view counts are into the millions. Some see PRS and PPL as a hinderance - calling it "just another tax" but in reality these licenses are required so that the musicians who work hard to create the things people love are rewarded fairly. Music has always been a very difficult industry and the vast majority of those employed in this sector do not earn bucket loads of money (although the general public would probably believe otherwise). The great thing about PRS is that just about any musician who's currently playing original songs at any live venue can claim PRS royalties. The typical royalty for a small pub gig would in most cases not amount to more than a pound but this quickly increases were one to play larger venues or even at festivals which typically pay very large PRS tarriffs that are distributed amongst the PRS members performing at that festival/venue. Please note that signing up with either PRS or PPL may take a week or two and that there is a £50 signing-up fee to join PRS but this is a one time only fee. You can't claim PRS royalties for performances in small venues if the songs were not registered with PRS at the time of the performance. Obviously to collect PRS royalties for a song you must have been the songwriter or at least have a writing credit.
https://wn.com/Prs_And_Ppl_Explained
PERFORMING RIGHTS ORGANIZATIONS : A CONVERSATION WITH ASCAP, BMI & SESAC

PERFORMING RIGHTS ORGANIZATIONS : A CONVERSATION WITH ASCAP, BMI & SESAC

  • Order:
  • Duration: 58:58
  • Updated: 16 Jun 2017
  • views: 1279
videos
Henny’z Hangout Episode 015 Today we’re talking Perfroming Rights Organizations, Royalties, Publishing and making your music a “Business” !! Feeling super proud to have brought all three PRO’s together for a great conversation! We #doitfortheculture This Episode shares knowledge from: Jason Reddick - @jasonreddick_ ASCAP.com Mitch Martin - @missilemartian BMI.com/join Greg Smith - @four_gs SESAC.com FOLLOW THOSE FELLAS TO LEARN MORE!! FOLLOW ME ONLINE HERE: Website: http://hennythabizness.com Instagram: https://www.instagram.com/hennythabizness/ Facebook: https://www.facebook.com/hennythabizness Twitter: https://twitter.com/hennythabizness Snapchat: https://www.snapchat.com/add/hennythabiz Soundcloud: https://soundcloud.com/henny-tha-bizness Here is my current GEAR KIT: https://kit.com/hennythabizness
https://wn.com/Performing_Rights_Organizations_A_Conversation_With_Ascap,_Bmi_Sesac
Copyright and the Right of Public Performance

Copyright and the Right of Public Performance

  • Order:
  • Duration: 3:46
  • Updated: 10 Jan 2008
  • views: 16920
videos
In this http://www.artistshousemusic.org interview, Maggie Lange, an attorney and Professor of Music Business/Management at Berklee College of Music, explains the "right of public performance" clause of US copyright code, how performance rights organizations collect copyright fees from venues and radio stations, and how payments from these organizations make their way to the copyright holder.
https://wn.com/Copyright_And_The_Right_Of_Public_Performance
Registering Works with Performing Rights Societies (PROs)

Registering Works with Performing Rights Societies (PROs)

  • Order:
  • Duration: 4:35
  • Updated: 13 Sep 2014
  • views: 2045
videos
This quick video shows you how to register your works (music) with Performing Rights Societies (PROs).
https://wn.com/Registering_Works_With_Performing_Rights_Societies_(Pros)
PPL and the Importance of Performance Rights

PPL and the Importance of Performance Rights

  • Order:
  • Duration: 4:40
  • Updated: 16 Jun 2014
  • views: 1927
videos
This year PPL proudly celebrates its 80th anniversary, having started life in 1934 with the aim of ensuring that those who invest their time, talent and money in making recorded music are fairly paid for their work. This short film highlights the increasing importance of performance rights revenues and the work of PPL in a changing music industry landscape. The film features PPL CEO Peter Leathem, alongside a cast of PPL members and supporters including: • Chairman of the Scottish Music Industry Association (SMIA) and Director of Chemikal Underground Records, Stewart HendersonProducer and Chair of the Music Producer's Guild, Steve Levine • Founder and Chairman of Beggars Group, Martin MillsDirector of Music at The Bedford, Balham, Tony Moore Pop act Olly Murs also features, having sent us a message of thanks for his recognition as the most played artist of 2013 in our 'PPL People's Artist Chart'. PPL's annual 'People's' charts are compiled from music data from PPL's licensees across the UK (including radio stations and television channels as well as public performance locations such as pubs, clubs, bars, jukeboxes, gyms and shops). Discover who made the top ten of all three of our charts on our website: http://bit.ly/1i0RPQ3
https://wn.com/Ppl_And_The_Importance_Of_Performance_Rights
Understanding Performing Rights Organizations (PROs): Royalties! (part 3 of 4)

Understanding Performing Rights Organizations (PROs): Royalties! (part 3 of 4)

  • Order:
  • Duration: 7:01
  • Updated: 10 Dec 2015
  • views: 375
videos
A four part tutorial for songwriters about Performing Rights Organizations (ASCAP, BMI and SESAC). This third part discusses royalties from radio, TV, streaming, performances, covers as well as PRO perks like credibility and discounts. I also talk about the first royalty check I ever got and compare the whole thing to Charles Dickens' "A Tale Of Two Cities", cuz why wouldn't I?! My apologies for the intense lighting! I'll fix it for the next filming session. Got a music business question? Let me know in the comments.
https://wn.com/Understanding_Performing_Rights_Organizations_(Pros)_Royalties_(Part_3_Of_4)
Music Copyrights, Split Sheets, Performance Rights Orgs with Richard Jefferson, Keonda Gaspard

Music Copyrights, Split Sheets, Performance Rights Orgs with Richard Jefferson, Keonda Gaspard

  • Order:
  • Duration: 6:55
  • Updated: 26 Jan 2014
  • views: 8647
videos
Music Producers - http://dynamicproducer.com | Sign up for our free course, submit beats & get biz Video: Music Copyrights, Split Sheets, Performance Rights Orgs with Richard Jefferson, Keonda Gaspard Music Producer | Music Producer Interview | Music Producer Tips |How To Become A Music Producer | Music Producer Business | Music Producer Career | Music Producer Advice | Music Producer Motivation | Music Producer Contracts | Music Producer Royalties Ready to put your music, career and business into over-drive? Join Dynamic Producer today and get on the path towards becoming a successful music producer. Gain access to our exclusive suite of membership benefits including: *constructive music feedback *one-on-one music ​career counseling​ *​private music production & mix coaching *music submission opportunities (labels/artists/tv/film, etc.) *and much much more!!!! Like this video? Share it & subscribe to our channel for updates! Produced by Channel Dynamic exclusively for Dynamic Producer. All rights reserved.
https://wn.com/Music_Copyrights,_Split_Sheets,_Performance_Rights_Orgs_With_Richard_Jefferson,_Keonda_Gaspard
Performance Rights Organizations

Performance Rights Organizations

  • Order:
  • Duration: 2:27
  • Updated: 02 Nov 2011
  • views: 2183
videos
ASCAP, BMI and SESAC...who are they and what do they do for songwriters and publishers? This video explains how these three US performance rights organizations work for writers and publishers to protect their rights and collect royalties on their behalf. We also look at what types of church activities require performance licenses.
https://wn.com/Performance_Rights_Organizations
A Game with No Rules: Making Sense of Performance Rights in the Age of New Media

A Game with No Rules: Making Sense of Performance Rights in the Age of New Media

  • Order:
  • Duration: 4:22
  • Updated: 19 Jan 2011
  • views: 387
videos
In this clip from www.artistshousemusic.org - ASCAP Midwest Membership Director and music publishing teacher Shawn Murphy talks about the difficulties in applying the standard royalty model to new kinds of performances such as ring tones and streaming radio, which don't fit clearly into any existing performance category. In the absence of a new industry standard, Murphy talks about how he helps his students extrapolate ways to monetize performance rights in a changing landscape.
https://wn.com/A_Game_With_No_Rules_Making_Sense_Of_Performance_Rights_In_The_Age_Of_New_Media
Publishing Deals and Performance Rights Organizations

Publishing Deals and Performance Rights Organizations

  • Order:
  • Duration: 3:48
  • Updated: 06 Jun 2008
  • views: 14984
videos
In this http://www.artistshousemusic.org video, Wallace Collins, an entertainment attorney based in New York, explains how music publishing deals typically work, the role that performance rights societies (such as BMI, ASCAP and SESAC) play in managing publishing arrangements -- and the murky question of just how much money they get for their assistance.
https://wn.com/Publishing_Deals_And_Performance_Rights_Organizations
Performance Rights Controversy - What's the Beat?

Performance Rights Controversy - What's the Beat?

  • Order:
  • Duration: 10:00
  • Updated: 26 Aug 2009
  • views: 109
videos
A quick overview of the Artist Royalty issue. Enjoy!
https://wn.com/Performance_Rights_Controversy_What's_The_Beat
Understanding The Right of Public Performance: How it Generates Money

Understanding The Right of Public Performance: How it Generates Money

  • Order:
  • Duration: 4:22
  • Updated: 19 Jan 2011
  • views: 1043
videos
in this clip from www.artistshousemusic.org - ASCAP Midwest Membership Director Shawn Murphy provides a concise definition of "public performance," and explains the ways in which performing rights organizations drive revenue for both the licensees and the publishers. Related topics include what kinds of businesses require a license to "perform" music and why; how money is collected from these performances; and the role of public performance in the overall music marketplace.
https://wn.com/Understanding_The_Right_Of_Public_Performance_How_It_Generates_Money
How to Copyright a Song : Performance Rights Organizations

How to Copyright a Song : Performance Rights Organizations

  • Order:
  • Duration: 1:53
  • Updated: 02 Apr 2008
  • views: 3363
videos
Get help for copyright issues. Learn When to send your song to a Performance rights organization in this free music business and song publishing video. Expert: Antonio Neal Bio: Antonio Neal has written more than 40 cuts for artists such as Stacie Orrico, Darlene McCoy, and Tyler Perry. He recently released his debut album, Days of My Life. Filmmaker: ricky burchell
https://wn.com/How_To_Copyright_A_Song_Performance_Rights_Organizations
The Music Industry - P. R. S. Performing Rights Society

The Music Industry - P. R. S. Performing Rights Society

  • Order:
  • Duration: 4:27
  • Updated: 30 Jul 2013
  • views: 1061
videos
Instant Melodies presents The Music Industry - P. R. S. Performing Rights Society Information about P.R.S. Performing Right Society the United Kingdom association of composers, songwriters and music publishers. It administers the performing right in their music. PRS for Music manages about 10 million musical works on behalf of its songwriter, composer and publisher members. PRS for Music licenses its members' musical works whenever they are played, performed or reproduced both in the UK and globally through its partner network. [2] A PRS for Music licence gives the user permission to play or use the music it represents in a number of circumstances such as on radio, TV, online or in public premises www.prsformusic.com/
https://wn.com/The_Music_Industry_P._R._S._Performing_Rights_Society
Performing Rights Organizations

Performing Rights Organizations

  • Order:
  • Duration: 6:34
  • Updated: 18 Nov 2011
  • views: 561
videos
What PROs do and how to get an appopintment with one in Nashville.
https://wn.com/Performing_Rights_Organizations
Join a Performing Rights Organization | Rap Music

Join a Performing Rights Organization | Rap Music

  • Order:
  • Duration: 1:45
  • Updated: 30 Aug 2013
  • views: 2221
videos
Like these Rap Lessons !!! Check out the official app http://apple.co/1QQmwX4 Watch more How to Rap videos: http://www.howcast.com/videos/512499-Join-a-Performing-Rights-Organization-Rap-Music The reason you should join a performing rights organization is you want to get paid. You want to make money in the music business, you must join a performing rights organization. Because, when a record or music plays on television, in a club or on the radio, there's no way to track who and when that music is being played. So, performing rights organizations are set up to work with record labels, recording artists, performing venues to pay artists for the use of their song. So, when you listen to the radio and you hear a song by Jay-Z, you're listening because that song that you like is going to be played, but then there's a commercial. That means that that radio station is making money from your song. So, you need to be paid for your song. So, performing rights organizations go out there, and they are kind of your bodyguard that protects you from being robbed or taken advantage of by radio stations, television stations who play your music and don't pay you for it. So there are three performing rights organizations you can sign up with. There's ASCAP, there's BMI, and there's SESAC, alright? They primarily do the same things, which is work with radio stations and all the performance venues that play music, to pay artists for the use of their songs. And that's why you should join a performing rights organization.
https://wn.com/Join_A_Performing_Rights_Organization_|_Rap_Music
William Fisher, CopyrightX: Lecture 8.3, Distribution & Performance Rights: Exceptions & Limitations

William Fisher, CopyrightX: Lecture 8.3, Distribution & Performance Rights: Exceptions & Limitations

  • Order:
  • Duration: 19:13
  • Updated: 14 Feb 2015
  • views: 2691
videos
The terms on which this lecture may be used or modified are available at http://copyx.org/permission. The lecture was prepared for a Harvard Law School course on Copyright Law, and for the CopyrightX course, offered under the auspices of HarvardX. Information concerning both courses can be found at http://copyx.org.
https://wn.com/William_Fisher,_Copyrightx_Lecture_8.3,_Distribution_Performance_Rights_Exceptions_Limitations
Performing Rights Societies

Performing Rights Societies

  • Order:
  • Duration: 3:52
  • Updated: 07 Jan 2016
  • views: 218
videos
As a song writer, music composer or publisher you are entitled to payment for the public use of your music. In this video I talk about the organizations that collect monies on your behalf for the use your songs. SOCAN - www.socan.ca ASCAP - www.ascap.com BMI - www.bmi.com Filmed & Edited by Arlo Maverick Music by J. Soul - @csproducto Find Arlo Maverick Online at: www.ArloMaverick.com Twitter: @ArloMaverick Instagram: @ArloMaverick Bandcamp: ArloMaverick.BandCamp.com/ Soundcloud: https://Soundcloud.com/ArloMaverick Facebook: https://www.facebook.com/ArloMaverick
https://wn.com/Performing_Rights_Societies
PERFORMING RIGHT #DOES (eps 244)

PERFORMING RIGHT #DOES (eps 244)

  • Order:
  • Duration: 9:56
  • Updated: 26 May 2016
  • views: 47306
videos
DIARY OF ERIX SOEKAMTI
https://wn.com/Performing_Right_Does_(Eps_244)
The Right to Perform: A Documentary on Performance Rights Organizations

The Right to Perform: A Documentary on Performance Rights Organizations

  • Order:
  • Duration: 52:56
  • Updated: 27 Jan 2017
  • views: 71
videos
Follow the lives of several working-class citizens or all share one thing in common: their love for music... which brings the second thing they have in common, namely, their individual involvements with Performance Rights Organizations. The business side of live music performance, P.R.O.s have operated quietly behind the scenes, and opinions about their ethics are as widely varied as the level of education pertaining to who they are and what they do.
https://wn.com/The_Right_To_Perform_A_Documentary_On_Performance_Rights_Organizations
Performance Rights Organizations

Performance Rights Organizations

  • Order:
  • Duration: 5:34
  • Updated: 05 Jan 2010
  • views: 283
videos https://wn.com/Performance_Rights_Organizations
Performers' Rights

Performers' Rights

  • Order:
  • Duration: 4:32
  • Updated: 15 Apr 2016
  • views: 23
videos
https://wn.com/Performers'_Rights
Dtwahn Performing "Right Now"

Dtwahn Performing "Right Now"

  • Order:
  • Duration: 0:09
  • Updated: 02 Apr 2017
  • views: 42
videos
https://wn.com/Dtwahn_Performing_Right_Now
Performers' Rights Final Submission

Performers' Rights Final Submission

  • Order:
  • Duration: 4:02
  • Updated: 29 Apr 2016
  • views: 3
videos
https://wn.com/Performers'_Rights_Final_Submission
16. Performance Rights Organizations

16. Performance Rights Organizations

  • Order:
  • Duration: 34:21
  • Updated: 08 Aug 2015
  • views: 10
videos
https://wn.com/16._Performance_Rights_Organizations
[UNNIES] - Performing (Right?) [FAN CAM]

[UNNIES] - Performing (Right?) [FAN CAM]

  • Order:
  • Duration: 3:31
  • Updated: 16 May 2017
  • views: 267
videos
https://wn.com/Unnies_Performing_(Right_)_Fan_Cam
×